In between the micro and the macro levels, you may want to think about, if you're not already doing so, keeping a journal. Journals are ideal for establishing a database of ideas and experiences that can be integrated into your writing. Concepts can in some cases be rather slippery, but writing these ideas down makes them clearer. Having concepts in a location where you can regularly visit them indicates that you have a structure upon which to build.
The most convenient method to do this is to start with someone you like who would make a great target reader for you. Why aren't they? What attributes are they missing out on that cause them not to be a reader of your book? For that matter maybe you're lucky and they are a reader of similar books?
It's simple to see that if you've composed and published 50 ebooks, you're far likely to make more cash than a person who has composed and published only one.
Life experience counts. One participant approached me and stated, "You shouldn't be Writing Books about loss unless you have actually lost a child." When I stated my daughter passed away in 2007 and I was a bereaved moms and dad, she was amazed. Plainly, the people who concerned this conference wished to talk with authors who had remained in the sorrow trenches.
Due to the fact that then it would be like work, I do not want to compose full-time. Hmm, well, I imagine you're working now. Are you Books you should read operating in a call center, dealing with consumer grievances, making someone else abundant, tolerating a nagging manager, working that leaves you exhausted at the end of the day, compromising your family time for a task you hate? Let's get real here. You like composing. It's what you're passionate about. What's incorrect with operating at it-with working you will enjoy, if not fully, then a lot more than the day-job you have now? Writing full-time-that's not work, that's living the dream and never ever having to work again. Do not you deserve to spend your life doing what you like? Naturally you do.
Competitors in the kids's book market is as strong and as competitive and any other market. A formerly unpublished author is going to have simply as hard time with this category similar to secrets, thrillers or any other. And because children's books are shorter and easier, it is more difficult to write something truly special, something that will stand out from the crowd. Does the world truly need another book about a bunny and a duck?
You end up the short articles in a week and the e-books in 2 days each, take in $600 for the articles and $1,200 for the 3 e-books. You are averaging $900 a week without leaving home!